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A balanced stereo pair of sE1a mics
with stereo bar and flightcase.
Building on the incredibly popular
sE1, the sE1a retains the same capsule but combines this with all new,
super-quiet electronics, all housed in a superbly restyled chassis.
This end-fire small diaphragm
condenser microphone really is astonishing value for money.
Great for drums, pianos, and
acoustic stringed instruments the sE1a is a must have for any size studio.
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SOMETHIN’
ELSE
Are big sE fans and own a pair of sE1As,
an sE2200a and
an sE
Mini…
“We’ve used the sE1s for pretty much everything: drum
overheads for Billy Cobham, guitar mics for Amy Winehouse’s
guitarist, violins, even guitar amps on occasion when we have a
very crowded studio!” |
| Frequency
Response: 30Hz-20KHz |
| Sensitivity:
10mV/Pa - 40 ± 2dB(0dB=1V/Pa 1000Hz) |
| Polar Pattern:
Cardioid, Diversity |
| Impedance:
≤ 300 Ohms |
| Equivalent Noise
Level: 17dB(A weighted) |
| Max SPL for 0.5%
THD@1000Hz: 137dB |
| Power
Requirement: Phantom power 48V±4V |
| Connector: 3-pin |
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Don't just take our word for it.
SOS “The sE1a is a
ridiculously inexpensive mic by professional standards, but it certainly
doesn’t look or feel cheap in any way Would I recommend that you buy an
se1A for recording instruments? The honest answer has to be no… you’d
be mad not to buy a pair at this price!”
PAR “I absolutely loved them, and have used them
as my overheads ever since. On acoustic guitar, they are very
open-sounding… I placed one on the neck, and one on the body, just above
the sound hole, and those two different sounds combined together were
great.
Resolution “the SE1a and SE2a are useful tools
that represent terrific value for money.”
sE
Microphone
Manual
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